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My Hobby site. Fotografie din concerte de jazz. Discuri vinil (LP Vinyl) favorite.

 

 

 

 

King Crimson : Starless and Bible Black

LP Album. Disc vinil 200g nou, remastered.
Genre: Rock
Style: rock progresiv, experimental
Year: 1974

Robert Fripp - guitars, Mellotron, electric piano, devices
Robert Fripp / guitar, Mellotron, effects
David Cross / violin, viola, Mellotron, electric piano
John Wetton / bass, vocals
Bill Bruford / drums, percussion

"If one were to pick the definitive recording by the '73-4 King Crimson, Starless and Bible Black would be as good a choice as any. The secret to this album's success is the high proportion of live material; only two tracks were fully conceived and recorded in the studio. As a result, the listener can hear the true-to-life sound of this KC incarnation, with minimal overdubs and editing."
(Review By: Chris Mitchell 24-Jun-96 on elephant-talk.com)

King Crimson - Starless and Bible Black

Tracks

1. The Great Deceiver
4:02
2. Lament
4:00
3. We'll Let You Know (improv recorded in Glasgow)
3:46
4. The Night Watch
4:37
5. Trio
5:41
6. The Mincer (improv recorded in Zurich)
4:10
7. Starless And Bible Black
9:11
8. Fracture
11:14

 

Additional personnel
Richard Palmer-James - lyrics
Nick Ryan - engineering
Tantra Designs - cover design

DGM/PANEGYRIC Warners

 

King Crimson - Starless and Bible Black
Discuri Vinil Rock Progresiv King Crimson: Starless and Bible Black. 1974
King Crimson - Starless and Bible Black

Comentarii

Jazz-rock-fusion-guitar.blogspot.com
"King Crimson's previous album, Starless and Bible Black (on which they had moved decisively away from a more traditional progressive rock sound drawing on American jazz, and towards the influence of European free improvisation[citation needed]), had been recorded by a quintet lineup of the band, including experimental percussionist Jamie Muir. Early in 1973, Muir abruptly left the band - ostensibly due to an onstage injury, but in fact due to an overwhelming spiritual need to retreat from music and spend time in a monastery (something which was not communicated to his bandmates according to the liner notes for the Portsmouth Guildhall show in the Complete Recordings box set).[citation needed] Muir's departure turned out to be permanent. The band's drummer, Bill Bruford, absorbed Muir's percussion role in addition to his own kit drumming, and the band continued to tour as a quartet."

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